Waterhouse would always produce flattering, delicate depictions in line with the Pre-Raphaelite movement. Elements of fictional tales seem to fit well with art, particularly the more expressive styles. Mythology in general has long inspired artists, be it Celtic, Greek, Roman or perhaps something further afield. A solid looking cauldron responds by channeling smoke into the air, whilst darkness sets across the background to allow the main focal point to take centre stage.Ĭeltic mythology had taken plenty of attention around the 1880s and was enjoying somewhat of a revival, well beyond just the interest of Waterhouse. She is typically elegant and beautiful, consistent throughout Waterhouse's career. The Magic Circle itself, to give the piece its title, is being drawn by the sorceress around her slim figure as she chants to the heavens. The combination of elegant female models and charming artistic style was hard to turn down and the UK was gifted with several skilled members of this group around that time. It was, of course, the first in a long line of successful submissions to this institution who were particularly keen on the style of Pre-Raphaelite art. One of the significant aspects of The Magic Circle is that is was Waterhouse's first submission to the Royal Academy having recently become as associate. The Tate is one such collector, though much of their collection was actually gifted by British owners upon death rather than purchased privately. It was only relatively recently that several larger collectors started to snap them up and group them back together. It is a perfect item for decorating home, apartment, office, hotel, restaurant, and any other place.Many of the Pre-Raphaelite paintings were spread thinly around a large number of collectors because of the relatively low prices compared to some of the great European masters.
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